How much do commissions cost?

Every commission is unique and priced according to the number of subjects, size, medium/surface used, background detail and (if applicable) the amount of silver or gold leaf employed.

As a rough guide a single ‘head & shoulders’ A2 portrait in charcoal starts at around £800, and around £1000 for oils. Obviously larger work, multiple subject and detailed backgrounds take significantly longer to complete which is reflected in the price. That said, if you have a budget in mind I can usually work around it, feel free to get in touch to discuss options.

What subjects do you paint?

I will consider any subject for commission; as well as people, horses, dogs, pets and wildlife, I’ve previously painted/drawn properties, landscapes, cars, boats, even anthropomorphic pet portraits, such as this dachshund painting a cockapoo.

Oil painting of a dachshund dressed in a sweater, holding a painter's palette and painting a portrait of a dog on a canvas.

Portraits can include text, symbolic elements or personal effects, anything is possible.

What’s the lead time for a commission?

Lead times vary due to complexity and work load, as a minimum 6-8 weeks should be allowed for single subject, significantly longer for complex work; but I can usually prioritise around specific requirements. If you have a date/event in mind, email details or use the contact page and I can let you know what’s possible.

How are paintings sent?

All prices stated are inclusive of packing and shipping.

Prints - Once numbered and signed, prints are rolled ready for shipping in a tube.

Gilded prints - Gilded prints are backed with foam board, so once adequately protected they are sent flat.

Originals - Original work would be packaged flat, or boxed depending on the protection required.

Do you offer framing?

I don’t, unless specified all artwork and prints are sold unmounted and unframed. If requested during the commissioning process, I can liaise with a framer to fulfil your requirements; or I can arrange shipping to a framer of your choice.

What about aftercare?

Any artwork or print will suffer the effects of prolonged exposure to direct or even indirect sunlight, so should be hung in well lit, but shaded areas. Also take heat sources into account, avoid hanging near fireplaces or above radiators.

Regarding charcoal, I don’t use fixatives due to yellowing over time. If you purchase a charcoal drawing, try to have it framed as soon as possible to avoid any surface contact. Once framed you should use a damp cloth to dust the glass/frame. Static from a dry cloth or duster can pull tiny particles of charcoal which adhere to the inside of the glass over time, leading to a dull appearance. It doesn’t damage the artwork and can easily be remedied by taking the frame apart for cleaning; it’s just easier to avoid it!

As a rule oils should be varnished for protection, but this can only take place after a prolonged period of drying, 6-12 months. A painting can be dry to the touch and stable for transit within a few days, but must be fully cured before varnishing.